Pavor Nocturnus Ikiryō

4.50 из 5
(2 отзывов)

Pavor Nocturnus Ikiryō

Pavor Nocturnus Ikiryō

Rated 4.50 out of 5 based on 2 customer ratings
(2 customer reviews)

Pavor Nocturnus Ikiryō for women of Ikiryō

SKU:  16f77c456c00 Perfume Category:  . Fragrance Brand: Notes:  , , , , , , , .
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Description

“The first sequel to last year’s “Lucidité”.  The story in the book enclosed picks up where the previous one left off.  This is the second part of a trilogy.  Part III, “Eidolan”, will be released Spring of 2018. Despite it’s name (“pavor nocturnus” is Latin for “night terrors”) the fragrance itself is a beautiful floral…but with a dark undertone of woods.  It has Ikiryō‘s paradoxical DNA written all over it…” – a note from the brand.

The nose behind this fragrance is Vincent of Dreamhouse.

2 reviews for Pavor Nocturnus Ikiryō

  1. :

    4 out of 5

    A real night of terror. Pavor Nocturnus is a gloomy parfume with a woody tone in the background. Here unlike the predecessor (Lucidite) i perceive the cherry less obvious, i feel very much the wood of oud and the flowers … very well balanced. It is perfect for the evening or night, and the quality as always is extraordinary. I really like Pavor Nocturnus, it’s pungent and extremely mysterious, i think I’ll buy a bottle.
    Sillage: 7.5/10
    Longevity: 8.5/10
    Scent: 8.5/10
    Overall: 8.5/10

  2. :

    5 out of 5

    Pavor Nocturnus is a soft animalic aromatic. There is a cliché indie oversoul to this one, in the sense that it very strongly resembles every other animalic indie fragrance ever.
    The soft touch that suppresses the animalic presence comes from a collection of leafy botanicals, that provide a haze over the pungent animalic base. And then a deep naturalist cherry; medium bodied, neither sweet nor sour; with not so much of a fruit flesh, but more of a waxy skin-of-the-fruit texture to it. Together, they soften the animalic notes by a lot compared to most other indie fragrances.
    To describe the aroma of the animalic note, it’s a bold and pungent presence, almost like a sweet and sour dampened (or rotting) wood. Although greatly softened, the pungent nature still has a considerable amount of gravity to it. Some people are seemingly fascinated by aromatic effects like this, but it’s by no means the type of thing you go-in blind to experience.
    Can’t really find any dynamic artistic potential in this one. It seems very much like something that was just thrown out there because it provides a significant diversity to everything else in the genre. Problem I would say is, that it’s not a genre worth catering too; it’s one that the world is better off without; and every step taken should be towards its obsoletion and nothing else.

Pavor Nocturnus Ikiryō

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