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marat3641 – :
5/10
Goodwin1987 – :
Hatria pairs oud with the rose (a rare Italian variety) in but the addition of a salt accord and caramel note in the heart makes the formula translucent and baroque like stained glass rather than heavy woody…
lan1560 – :
To me this is an overpowering rose. Sometimes I like rose, but most of the time I don’t. I would have liked to get more spice and woods, but the rose just dominates it all. Sweet caramel in the background. Drydown a bit better as rose fades. All in all not a love for me.
DmytroY – :
I really dislike the opening to this, which is a mishmash of powdery, metallic, salty and sweet notes. It’s harsh on the nose, obnoxious and hard to bear. But the dry down is very nice – a sweet, warm rose. It’s not worth a full bottle because I have to wait too long for the payoff, but you might get there more quickly than I did.
lord52 – :
Sweet saffron roses with some sweet European type of oud. It is quite blessing but be aware of the sharpness! cause the most sharp notes are there, the roses and the saffron. I wish there were more sweet and less roses-saffron to lighten the sharpness it brings.
Quite good and i would classify this one as the second i like after Liquo.
Edit (23rd May 2016) The top note of sweet roses is the best of this fragrance but unfortunately it doesn’t last long as it vanishes after 20 minutes max leaving the atmosphere to be fully sharply rosy which makes it too sharp to me nose (like peppery rose). I wish the sweet lasts more than the roses itself but unfortunately it doesn’t. i do regret it.
znk018Diobtetty – :
Theoretically inspired by the warmth of the Adriatic sea, but in practice no water, no ocean or a sea sense at all. Instead, we have the exotic wood of the day – agarwood. This is another competent standard exotic scent of oud and roses, maybe earning points by caring a little more with the scent of roses. Roses in Hatria look natural, reminding me to the scent of damask rose, its alcoholic nuances and minty aspect with geranium nuances. They are wrapped in the aroma of balms, amber, incense, saffron and and oud accord created from nargamotha. Hatria ends successful in how enjoyable its aroma is, but fails to individualize the combination of oud and roses and failure to create an interesting narrative.
nsm1 – :
Hatria is the line’s token soapy rose, but it starts off with dizzying combination of (what smells to me like) grapefruit, berries, spices, burned chocolate, oud, and coniferous items. It’s bombastic and overwhelming. Part of what makes it so overwhelming is not just the volume (it is very, very loud), but the discord of bitter rose alongside soap and charred semi-gourmand items that, although they smell edible, I can’t imagine anyone wanting to put in their mouths. The degree of discord is akin to A*Men (although this smells nothing like A*Men) in that has a similar visceral effect on me, and it’s not a good one.
After fifteen minutes or so, Hatria calms down a notch, but it’s still a foghorn of a fragrance; the syrupy rose and the weirdly savory-sweet undercurrent remain intact throughout much of this stretch. It’s an dextrous effect, clearly one that’s well thought out, but I personally find it too burdensome and too over the top to handle. After thirty minutes or so, it’s mainly bitter rose in which the soapier facets surface more and more — and that’s where it ends up and stays for quite some time with boozy moments popping up here and there. Once the clattery opening has died off, I find that it’s a bit easier to take, but at that point I’m exhausted by it.
This is so far beyond my comfort zone as I generally dislike prominent rose notes, soapy perfumes, and scents that smell like an avant-garde meal. I’d say that it’s accomplished and give it credit for being as bold as it is, but it’s only going to appeal to a specific audience. There’s nothing subtle here; it’s screaming from start to finish. Although it doesn’t smell modern, it has none of the old-world charm that others in the line convey. If you like screechy Montales, the complexity of older Amouage, and are okay with cavalcade of concepts, it’s worth a sniff. Although it ends up as fairly linear soapy rose, that opening is total insanity, which, I’m sure would map onto someone’s personality quite well.
Uplite – :
A good way to realize a fragrance is exceptionally good is when it involves a good amount of notes you’re generally not very keen to, and it’s still able to completely catch your interest. This is Hatria for me. I’m definitely not a rose-oud combo fan but this composition is so serious that’s basically impossible to overlook.
So, it’s a saffrony-rose on top. Very arabic in feel, thick, dark and kind of unpolished and yet completely devoided of the challenging aspect that certain similarly themed fragrances can often show. It’s a butch, rich opening but it’s immediately joined by a hint of burnt-caramel that tames it a bit while providing some roundness and, paradoxically, even more body. A woody base remarks its presence right away with a leathery-oudy bone-structure and vetiver facets (probably the nagarmotha). It’s far removed from the usual dry-woody stuff we’re used to when it comes to westerner iterations of oud. The fragrance feels deep and dark yet somewhat smooth, airy and weightless while maintaining a certain thickness throughout. It’s bold but not heavy-handed, with an insane lasting-power while being completely able to not result exhausting.
So classy and masterfully executed to have absolutely nothing to envy to the biggest *hits* in its genre. Seriously, very solid stuff.
Rating: 7.5/10