Description
“Dead of Night or deadofnight is imbued with the seductive power of oudh, a precious aromatic resin. Coveted and rare – and thus extremely valuable – oudh has been prized for centuries for its deeply complex scent and aphrodisiac effect.
deadofnight is balanced with sophisticated notes of green foliage, warm vanilla and rare flowers. The resulting fragrance has a lingering sensuality that can be worn to devastating effect by both men and women.
deadofnight encourages an intimate ritual that enhances the appreciation of fragrance and its mystical allure.
This eau de parfum is beautifully presented with a custom-designed 24 karat gold-plated cap. deadofnight was composed and formulated for strangelove nyc by founder Elizabeth Gaynes and master perfumer Christophe Laudamiel, with creative direction by Helena Christensen.” – a note from the brand.
Dead of Night (stylized by the perfume house as “deadofnight”) is an Oriental Woody fragrance designed for wear by women and men. The nose behind this fragrance is Christophe Laudamiel.
Dead of Night is an oil-based fragrance that features sustainably-harvested oudh from Borneo, surrounded with top notes are bergamot and violet leaf; middle notes are jasmine and rose; base notes are amber, sandalwood, incense and agarwood (oud). Dead of Night was launched in 2014.
artem77713 – :
Short and sweet (shocking I know). The opening I find beautiful and strikingly unique. The drydown is…meh. Sorry the projection is low and the sillage is low and it’s not worth the $700+ for a full bottle, to me.
вадим73 – :
A very nice scent with high quality ingredients but the Rose Oud combo with hints of incense and amber has been done so many times before that it feels a bit redundant and cliched. On top of that this ridiculous asking price of $800 a bottle. There are so many cheaper and almost as good alternatives out there. Even Thirty Three by Ex Idolo which essentially has the same DNA and retails for a fifth of this perfume. Completely skippable unless you want to support this brand.
Vfczyz – :
عطر ديد اوف نايت من ماركة سترينج لوف نيو يورك (النسخة الزيتيه)
أحد مميزات (بعض) دور النيش والعطور الفاخرة هي استخدامها المكونات النادرة والباهضة الثمن الأمر الذي يتيح لنا الفرصه لنحلق بعيداً في سماء الترف والفخامة.
عطر ديد اوف نايت عطر يفوح ترفاً وفخامةً بعبق العود الطبيعي الذي يذكرني بالعود الهندي، الذي وضف بطريقة غااااااية في الروعة مع مكونات خضراء جلدية باردة شكلت ثنائي فخم جدا مع العود، قد يكون الإنطباع الأولي عند تجربة العطر أنك تلحظ بروز مكون العود الطبيعي بشكل كثيف وواضح مما يعطيك شعور خاطئ انه عود فخم مألوف وحسب ولكن ماهي إلا ثواني حتى تبدأ المكونات الخضراء الجلدية الباردة بالبروز واحتضان العود وإكسابة صفة حسية جذابة للغاية زيادة على جاذبيته وفخماته، قد نسمع أحيانا استخدام لفظ انيمالك عند وصف العطر والتي تشير الى عدة امور… ومنها اتصاف العطر بالجانب الحسي ونادراً من ينجح بتوضيفها بالشكل الصحيح، عطر ديد اوف نايت نجح في الأمر ووضفها ببراعة مع مكونات جلدية خصراء تتصف بالبروده كما ذكرت سلفاً ولمحات فاكهية سويتيه ممتزجة بدفء الفانيلا الحسية والعنبر يتخلل النوتات الرئيسية ( العود والمكونات الخضراء واللمحة السويتيه) لمحة بخورية ناعمة خلف تلك النوتات وفي مراحل العطر الاخيرة نلمح الصندل بشكل ناعم، من جرب اومبغي ليذر 16 من توم فورد سيجد هناك النوتة الجلدية نظيفة للغاية وذات لمحة خضراء باردة، عطر ديد اوف نايت يحمل هذه اللمحة الليذرية الباردة الخضراء بشكل نسبي طبعا ومن وجهة نظري المتواضعة، أرى هذا العطر الجميل من اروع ماوقعت عليه يدي من العطور ترتكز على العود الطبيعي بطابع بارد حسي للغايه، هذا العطر تستطيع ان تضعه بجانب أي عطر فاخر يحتوى على العود الطبيعي سواء كان عطر الليل من فريدريك مال او غيره. الشي المميز الذي اعجبني بالعطر هو نوعية العود ومزجة مع المكونات الخصراء الليذرية الباردة مع تلك الجرعة المعتدلة من الفانيلا والمكونات الفاكهية واحاطتها بقالب انيماليك حسي . استطاع العبقري مصمم العطر كريستوف لودميل ان يروض العود ويجعل منه عود ممتع و جذاب للغاية سواء كان على الرجل او المرأه.
ادعوكم لتجربة عطور هذا الدار الرائعة، بقية العطور لاتقل روعة احدها استخدم فيه العنبر الحيواني بجلاء التوصيل لديهم عن طريق دي اتش ال
MY REVIEW FOR OIL VERSION OF THIS FRAGRANCE
If looking for real oud fragrance, you need deep searching because the most brands use the synthetic oud, don’t worry about that i have amazing choice! one of best real oud fragrances i have ever smelled, what i can say this is most sensual oud i have been tried; fantastic harmony between the cold green leather note and rich real oud with amazing sensual animalic note, the green leather note in fragrance remind me of ombre leather 16 by tom ford but the the difference here is the oud who gave the scent feeling of luxry & sensuality. Most important thing in this fragrance for me it is the kind of oud & sensual side (green leather & animalic notes) its the soul of this fragrance who saved oud even not be boring. There are others notes maybe you notice like the mix between vanilla and sweet fruits, the soft incense in background. And soft sandalwood in final levels to fragrance.
In my opinion this fragrance worth it worth it worth it! and I recommend it for oud and cold leather lovers.
Sorry about any mistake in my English
تحياتي
سعد
سبحان الله وبحمد سبحان الله العظيم
صلوا على النبي يا أحبة.
Clultavaift – :
While there are some fine ingredients at work in this fragrance, the composition is somewhat redundant. Upfront, it’s a rose-driven oud over slightly animalic / slightly dry musks with some ambery woods and spices thrown in. The oud’s fecal—somewhat cheesy upfront à la Syoofi, and it becomes more barnyard as it settles. The rose smells like a doctored otto, but the bitterness of the stem is backgrounded with the main emphasis placed on the sweeter headspace of the petals—an effect created through the inclusion of other floral notes. The musks serve to sustain what quickly becomes a purr of a skin scent; low projection but with fascinating sillage. Upfront, it’s bombastic to the point of being mawkish, and it sort of latches onto that whole Roja Dove / Clive Christian / Xerjoff aesthetic of “luxury” that border on tackiness.
After thirty minutes of so, when things tame down a little, I think this is the point where it shines the most. It becomes a slightly musky, slightly raspy wooden amber—quite warm and poised, and nowhere near as over the top as the opening. It rings of some of Laudamiel’s older compositions (there’s a hint of Amber Absolute in here, for example), and there’s a scratchy dryness that’s unexpected from such rich ingredients. It’s probably at this point where Dead of Night gets as close as it’s going to get to its ad copy as it’s quite intimate and heat reactive. By this point, the oud and the rose have already stepped offstage, and what you’re left with is suspiciously close to an ambroxan / maltol cocktail.
The scent is a thick, dense affair that throws everything at you at once and then runs away and hides. Its high points are that it wears dynamically, has enough depth and form to keep you intrigued, and the materials are undeniably top-shelf. Given that it’s Laudamiel, it’s well polished; no rough edges and no visible cracks. Yet we’ve just seen this kind of thing far too many times now. I’d assume that it’s aimed at people who aren’t as well versed in the oud-wave, and are perhaps unaware of other comparable scents that can be had for a fraction of the price with comparable materials. Either that, or its for the client who’ll drop $500 on a bottle simply to have a solid, nice quality, but ultimately MOR amber-oud in their collection. It’s fine and “nice,” but completely unoriginal and obscenely overpriced. If you’ve been around the oud block a few times and have tried some of the real deal stuff, then you’ll probably find this to be skippable.